How long have you been working at this museum, and what brought you here initially?
I’ve been working at the National Museum officially since 2016, but my journey started much earlier. Back in Year 11 at John Gray High School, the Careers Advisor placed me here for work experience because of my patriotic nature. I explored different roles, from the Gift Shop and tours to exhibitions and collection management. While interesting, I didn’t feel it fully tapped into my creativity.
In 2012, I was accepted to the Savannah College of Art and Design (SCAD) and started in 2013. Initially, I pursued graphic design but later explored film and motion media design. After some trial and error—and a tough professor—I returned to graphic design, where I found my stride.
In 2015, the Museum’s Curation and Collections Manager reached out, asking me to design the 25th Anniversary logo. The project reignited my passion for Caymanian culture and creativity. That summer, I interned with the Museum, working on an exhibition and publication. It was then I realized I could combine my love for design with my heritage. After graduating in 2016, I returned home and joined the Museum team. I’ve been here ever since.
What keeps you inspired to work at the National Museum, even on the most challenging days?
My passion for Caymanian history and culture keeps me motivated. Every day brings opportunities to learn something new, work on exciting exhibitions, engage with historical objects, and connect with people.
What was the most exciting (or challenging) part of the museum’s rebranding process?
The rebranding felt timely, marking a new era for the Museum. Personally, it mirrored my own growth. Our new Director, Dr. Poupeye, suggested using the Old Courts Building as the logo—a brilliant choice, as it’s Cayman’s oldest public building and central to our identity.
The process was exciting because I love branding and consistency, but the challenge lay in uncovering every element that needed rebranding. Templates, signs, and materials often revealed themselves unexpectedly. Even now, we’re discovering items to update. Despite the challenges, the positive reception to the rebrand has been incredibly rewarding.
How do you think the new design reflects the museum’s mission or values?
The new branding perfectly embodies the Museum’s mission as a living connection to Cayman’s past. The Old Courts Building, over 180 years old, is our largest artefact and a symbol of resilience and heritage. It reflects our commitment to preserving Cayman’s culture while engaging the present.
Do you have a favorite story about the museum’s history or its collection that you love telling visitors?
I love sharing the story of the Old Courts Building, Cayman’s oldest standing public building. Visitors are fascinated by its construction techniques and resilience against countless storms. Its strategic location and use of limestone, ironwood, cabbage wood, and shiplap showcase the ingenuity of our forefathers.
If the museum were to design an exhibit about its staff, what object or story would represent you?
If the museum were to design an exhibition about its staff, a Cayman Catboat would represent me. The Cayman catboat symbolises ingenuity and adaptability, qualities I strive to embody. Its elegant design reflects creativity, while its practicality ties to Caymanian heritage—a perfect representation of my work and identity.
How do you balance keeping the museum’s traditions alive while making it exciting for new generations of visitors?
As a creative and a young Caymanian, I think outside the box to conceptualise engaging ideas. I’m thrilled that our new director envisions integrating immersive technology and contemporary presentation styles. These approaches honour our traditions while making them relevant and exciting for younger audiences.
What do you hope visitors feel or think about as they walk through the museum’s doors?
I hope visitors leave with a deep appreciation for the hardworking, innovative, and resilient spirit of my Caymanian people.
How do you see your personal passion or creativity reflected in your work here?
A professor once told me that my vibrant use of colour and imagery unmistakably reflects my Caribbean roots. That feedback still resonates with me. My designs showcase vibrant colors and meticulous attention to detail, embodying my pride as a Caymanian. When you see my work, you feel the essence of Cayman.
Comentarios